Visual rhythm and collective space
“Bayame salam” (2022) by Boris Nzebo belongs to the artist’s investigation of urban space and social dynamics, developing a composition in which mark and color construct a complex and layered visual system.
Executed in acrylic on canvas, the work presents a dense surface traversed by an intricate network of lines and chromatic fields. The contrast between black and white intertwines with saturated colors, generating a continuous visual rhythm that structures the entire composition.
The scene unfolds as a space of interaction, where figures and signs overlap to form a collective dimension. The work reflects a tension between order and complexity, transforming painting into a dynamic field of visual relationships.
Boris Nzebo – Bayame salam, 2022
Provenance: artist’s studio for Damiani collection
Exhibitions: exhibitions, art fairs, and galleries
Archive: work archived, reg. no. Boris Nzebo Archive (Douala); Galleria Damiani Archive (Bari)
