Layered mark-making and chromatic dynamics
“La kame de Ma’a clémentine” (2022) by Boris Nzebo belongs to the artist’s practice, characterized by a complex visual construction in which mark, pattern, and color coexist in dynamic balance. The work reflects an approach that investigates pictorial space as a field of interaction between different elements.
Executed in acrylic on canvas, the composition develops through a dense layering of lines and chromatic fields. Blue and white traces intersect across structured backgrounds, generating a continuous and articulated visual rhythm.
The work unfolds as a surface where abstract and narrative dimensions overlap, forming a complex visual system. Painting thus becomes a space of tension and movement, in which the image emerges from continuous stratification.
Boris Nzebo – La kame de Ma’a clémentine, 2022
Provenance: artist’s studio for Damiani collection
Exhibitions: artist’s studio for Damiani collection
Archive: work archived, reg. no. Boris Nzebo Archive (Douala); Galleria Damiani Archive (Bari)
