Modular geometry and optical illusion
“Untitled” (1985) by Peter Schuyff is situated within a pivotal moment in the return to abstract painting in New York during the 1980s. The work demonstrates a balance between geometric rigor and chromatic sensitivity, developing a structured and dynamic visual surface.
Executed in acrylic on linen, the composition is based on a grid of geometric forms and orthogonal lines, where reddish-brown tones alternate with deep blue bands, creating a vibrant contrast. Tonal modulations and glazing techniques contribute to the construction of light effects that suggest a three-dimensional perception.
The pictorial surface unfolds as a space in which order and perception interact, generating an optical illusion that enhances depth and visual movement. The work is part of the artist’s investigation into the perceptual possibilities of geometry through painting.
Peter Schuyff – Untitled, 1985
Provenance: The Pat Hearn Gallery, New York – 091 Art Project, Palermo
Exhibitions: major international art fairs and galleries
Archive: work accompanied by a certificate of authenticity on photograph issued by the artist
